ILNU

with the help of :
guitar : Exodus
Toy-piano : Exodus, Glue Trax
voice : Sellma
 
cover art by AI

new cd
contact or paypal klimperei@gmail.com or on https://www.facebook.com/Klimperei (or Messenger) 10€ france, 15€ europe, 20€ rest of the world - all is postage cost included

begin before, in the crisis, and after. (april 2023-august 2023)
alors, pirate ! is dedicated to the guy who hacked me. He has destroy the sample, i have recreated it .
pas loin ou presque works with one sample only (found by AI : the rythm).
Covert art by AI.

a danceable record ?

traditional folklore of planet Pluto 
track 2 : music by Exodus; post-edit Glue Trax
Cover art by Exodus (made with A.I.)

All tracks composed, arranged and mixed by Christophe Petchanatz, Denis Aubert and
Patrick Champredon through the internet during this crazy pandemic (2021).

"Analyse Non Standard" is the result of this meeting, friction, synergy, surprises and
friendly breeches, grey landscapes with fine sandpaper, small electronic animals
appearing here and there, floating objects — tinnitus and (See more) phosphenes

the "Collectif Incertain" thanks Max of tribe tapes for his support and his confidence in this
project.

© Collectif Incertain (2021)

Artwork by Jean Branciard

--

Review by Frans de Waard, Vital Weekly 1321:

"Here I encounter a new name, a trio from France. I recognize one name, Christophe Petchanatz, also known as Klimperei. The other two members are Denis Aubert (Glue Trax) and Patrick Champredon. The music/release here is another example of the exciting times that Covid also has to offer (soon to be rephrased as 'had to offer') "through the internet during this crazy pandemic". Hence the name of an uncertain collective, of course. There is also a more cryptic text here, explaining (or not!) the music; ""Analyse Non Standard" is the result of this meeting, friction, synergy, surprises and friendly breeches, grey landscapes with fine sandpaper, small electronic animals appearing here and there, floating objects — tinnitus and phosphenes". There are many ways to work on music through the internet, including websites that act as a DAW - digital audio workstation. These allow the participants to add layers of sound, dd sound effects and mix, so quite the democratic result occurs. I have no idea if Collectif Incertain used something like that. The music is relatively free and energetic, bouncing and reeling off on all sides, with instruments and voices lifted left and right from the Internet, vinyl or the living room. Some of the music quickly reminded me of Klimperei's naivety. As I have no idea what the others do, it is not easy for me to connect all the dots in the music. There is an abundant use of looped sounds, sticking at times a bit too long in a loop, but around which they spin electronics, snippets, voices, and all of this is melodic, moody and atmospheric. As said, at times, perhaps a bit too much of the same for too long, but throughout, there is quite some variety in these twelve pieces/fifty minutes. I think it worked best if Petchanatz' trademark piano/percussion took the lead and Collectif Incertain reached for a more rounded song structure. Indeed, a project to continue when things are 'certain' again. (FdW)"

artwork Exodus

Ita est, a glitchy melodik record

artwork Exodus

2'49 suite, each track is connected to another (sample, preset effect, pattern).
Visual Exodus.

samples : xylo, piano Jérome L.

4 old t& unreleased live tracks.
unknown live note : festival Why note 2001
silure : live atheneum 2002
Miaou & Gris Bleu : live Cnr Chalon 2004
 
artwork : Ilham

a more danceable project; a kind of pause.